Tuesday, January 27, 2015

Brownlow Reflection 01/27/15


“The world is a set of stories which must be chosen among.” – Walter Fisher
                H. Porter Abbott, in his Introduction to Narrative, suggests that narrative is universal, forming from the moment we start stringing words together. However, he also points out that narrative discourse and story are not technically the same thing, and brings up the question: Which came first, the discourse or the story? Although discourse comes to us when we first start speaking, does story come only when we speak it as well?
                The quote above suggests that story is not actually dependent on narrative discourse. Stories, as Fisher points out, are cultural constructs that serve a purpose, whether spoken aloud or not. This causes me to think of stories as cultural constructs and perceptions of reality. Everybody has their own story, their own perception of the world and the people in it. Thus, if we go by this idea, then Fisher’s statement is profound, for he is suggesting that the entire world not only includes a set of stories, but actually is a set of stories. Every person chooses and perceives their stories through their own cultural lens. This is indicative of Hans Robert Jauss’s argument that, as each person brings their own set of experience and belief to each story they perceive, they construct their reaction to and perception of each story in accordance with what he calls their horizon of expectation.
                Interestingly, he does not say that the world is an infinite number of stories to be chosen from. He says that it is a set of stories to be chosen among. As Jauss would suggest, one’s horizon of expectation adjusts and readjusts each time we approach a story, and thus is ever-changing. Fisher could be suggesting here that the stories that make up the world may be only a finite “set,” but that we are constantly choosing the same stories over and over, but with different expectations and perceptions of these stories based on our ever-changing horizons of expectations.
                When reading Fisher's quote, a line from Diane Setterfield’s The Thirteenth Tale is brought to mind: “I don’t pretend reality is the same for everyone.” With these words in mind, I am inclined to believe that Fisher’s quote coincides with the ever-changing perceptions of reality that is not the same for everyone, and is not always the same for even one person. It is constantly evolving so that the stories that make up the world are not only to be selected, but to be constantly chosen, returned to, and chosen again. The stories surround us, change us, and are changed by us.

2 comments:

  1. Elizabeth,

    I appreciate your emphasis on the importance of the story element. Since the start of this class, I've struggled to understand story as different from narrative and vice versa. I do, however, agree with you. Stories are a part of who we are and reflect us in every sense of the word. In addition, I do appreciate that many of the readings thus far (too many to name this early) emphasize this important concept that each classic existed in some shape or form earlier. If that's the case, then why is our society (many folks who don't know much about or appreciate the importance of a good story) eager to claim that our literary legends like Shakespeare and even Dr. King stole their material from others. I don't know if it's naive or perfectly acceptable for me to believe that both icons were simply influenced greatly by the material they read. I would not make an argument that the material was necessarily stolen; I would argue that maybe the structures and some of the ideas may be the same, but literature builds off of other literature. That's kind of the point. Sorry for my extensive comment, but your post made me think a bit further than I intended to. Anyway to wrap up, our readings thus far indicate that these literary patterns of ideas (I don't want to say the word plot) will surface over and over again, and this is acceptable. It's even appreciated because a bigger audience will relate.

    Best,
    Aida

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  2. I think picking up on the careful (but of course, wonderfully ambiguous!) phrasing of Fisher is your most import observation here. "A set" does not indicate infinite stories - but as you indicate, if reality is different for each of us, we are reading all of these potential stories differently. And that actually does offer an infinite set of interpretations.

    Aida, you made me think about the idea that all the stories have already been told (my favorite author, John Barth, deals repeatedly with this idea in his essays and fiction), and that we just keep repeating ourselves. That is not necessarily discouraging if we believe there are an infinite amount of new readers to choose among and - as Elizabeth suggests - change them.

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